A picture that can represent dark or light. But you know me, I can't resist dark at the best of times. Since spotting this photo I've been dying to write for it. Here's where my head went.
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Survival
Cold. So cold. So cold
it hurts. But I must keep walking. I must. I’m free.
You’re not yet.
I am.
No, not until you’re
home.
Shut-up, you’re just
the voice in my head, you don’t know.
I do know. It’s not
over yet.
It will be now I’ve
got the handcuffs off.
That was impressive.
It was, in this cold.
Frozen locks.
To my benefit.
Indeed.
You’re sure you
haven’t been spotted?
He glances back.
There’s no one behind
me.
You don’t know that.
There’s no footprints
in the snow.
It means nothing. You
know how good she is at leaving no marks.
He rubs his wrists remembering.
You were foolish.
Was not.
You should never have
believed her story about why she wanted to go to the cabin.
She loves me.
Does not.
She felt badly about
how she’s been.
You still believe
that?
I want to.
Still?
He glances behind him again.
If you go home she’ll
be there.
She won’t. She won’t
believe I got free, she’ll think I’ve died on the run.
Don’t you think she’ll
check?
I have nowhere else to
go.
And she knows that. You
need to go to someone else.
Who would believe me?
They only have to look
at you to believe you.
They won’t believe
it’s her.
You think they don’t
know?
How could they?
Remember how Wayne
looked at you?
He believed my story.
No he didn’t. He was
just saving you embarrassment.
He knows I box.
Those bruises weren’t
from boxing and he knows it.
He won’t want anything
to do with me. He’ll think I’m weak and pathetic.
You don’t know that.
He’ll laugh at me.
He won’t.
How do you tell
someone you’ve been held prisoner, for what days?
Weeks.
You think it’s weeks?
I do. Although it’s
hard to tell. I passed out so many times.
He stumbles.
I can’t feel my feet.
Keep walking.
They’re numb.
Keep going. It’s not
far now. See there’s a house over there.
He makes out a building ahead. A farmhouse. There’s
lights on in the windows.
What will I say?
The truth.
I don’t know if I can.
You have to.
Get them to call the
police.
Maybe I should just
see if there’s an outhouse or barn or something to hide in.
You need to speak to
someone, Steve. You need to tell someone.
He lets out a sob.
You can do it. You
have to.
What will they think
of me?
They will help you.
I’m bleeding.
It will have stopped
by now.
But they will see.
It doesn’t matter. All
that matters is that you survive.
I need to survive.
You do.
I need to stop her.
You do.
He stands at the door, jittering. When the door
opens he falls through the entrance onto the floor sobbing.
He hears gasps, ‘He’s naked. So much blood.’
Someone calls to someone else. Hands on him. Blankets
round him. Warmth. Water on his lips.
Voices around him, three or four: ‘What shall
we do?’ ‘I’ve called an ambulance.’ ‘Where did he come from?’ ‘Out of the field
on the right, there’s a blood trail.’
Sirens. He’s lifted up onto a gurney. More
gasps.
“Who did this to you, son?” A soft, gentle
voice.
“She did.”
“Who?”
“My wife.”


